As you may know already, MXL manufactures lots of microphones. Why? Because each one has its own character: a little something that sounds just right to your ears. “Best” is a subjective term after all. Your favorite guitar microphone might be rich and vintage-sounding whereas someone else wants complete transparency. We’ve compiled our recommendations of the best mics for certain instruments based on customer feedback. Not just what we say is the best, but what we’ve heard from countless users over the years. It’s not definitive but certainly a good place to start if you’re in the market for a new instrument microphone.

Guitar Cabinet, Brass Instruments –

R77 Ribbon
More than just a pretty microphone, the MXL R77 is a powerful and versatile recording tool for all kinds of instruments. The R77 incorporates a figure-8 polar pattern as well as a 1.8-micron aluminum ribbon for smooth lows and natural highs. This polar pattern helps reject sound from the sides while picking up equally from the front and rear of the mic. Ribbons do not resonate the same way a condenser capsule does which is why they provide a much more natural response from your instrument. They can also handle instruments that produce very high SPLs. This allows you to crank you guitar cab to achieve your desired tone without your mic distorting and ruining the recording.

Click here to hear the R77 on electric guitar.

R144 Ribbon
The R144 is a spectacular little thing. With the natural response of a ribbon mic and a comparatively affordable price, it’s hard to beat. We’ve taken the R144 to numerous mic shoot outs where it has performed favorably next to some industry standard ribbon mics. Whether it’s in front of guitar cabs, trumpets or string instruments, the R144 is a mic to be taken seriously. If you have yet to try a ribbon, the R144 is the perfect entry into this style of microphone.

Drum Overheads, Piano –

V67N Pair
Two V67N instrument mics are a powerful combination. These small diaphragm condensers feature a transformer-balanced output, which provides the warmth and detail found in many classic, vintage microphones. The frequency response is flat, and they come with interchangeable cardioid and omni capsules for expanded sonic options.

Click here to hear the V67Ns on drum overheads

Acoustic Guitar- Single Mic’ing technique –

CR89
When you’re looking for transparency and want to reveal the true sound of your voice or instrument, look no further than the CR89. Although many may like some “color” from their mic, the CR89 provides a natural response which is often times more desirable when recording something like an acoustic guitar or vocalist. The large 32mm capsule and intelligent design make this a must have for any home studio. It’s low noise allows you to get the most out of the mic without any unwanted signal. The matte black chrome finish and robust build will compliment any studio whether, amateur or professional.

Acoustic Guitar- Stereo Mic’ing technique –

CR21 Pair
Try using this pair to achieve a spacious and detailed recording. Taking some traits from the CR series, the CR21 Pair provides professionalism at a very low cost. You can reference our “How to” guides to experiment with different mic techniques such as X/Y, ORTF, and MS. Mic placement is key to achieving a desirable sound, so feel free to experiment and always be mindful of phase!